#Karabiner elements mouse scroll software
You will still want to tweak things from the base setup, not everyone cuts the same way and some tools are more important in some software than in others.įor example, in Avid there is no real need for a pointer hotkey, your cursor is active most of the time, with Premiere and FCP a pointer hot key is essential in Avid not so much. There is another benefit to making all your software the same: jumping between software becomes easy, and you can learn the (usually small) differences faster. One set for each hand so your fingers are always close to them (E and R as well as I and O).
It doesn’t aim for quantity of functions, and isn’t interested in making it easy to learn the keys quickly.įor example, there are two sets of mark in / mark out keys. The Avid layout prioritises speed of access to common functions. It’s weird to think I’ve now been using Avid for longer than they would have then. Instead they used the frame jump command to navigate the timeline. I even remember some old hands who never touched the mouse. It’s a fast way to edit, reducing dependency on the mouse. The layout has large timeline movements/jumps/actions on your left hand and fine/trimming movements on your right. Whoever designed the layout back in the 90s got it mostly right and it has barely changed in 30 years. The learning curve on Avid is mostly due the software’s assumption you’re going to use shortcut keys rather than menus and buttons.
#Karabiner elements mouse scroll how to
It will save you hours and best of all, it’s free.Īs a bonus, you’ll gain a basic understanding of how to cut in Avid. It only takes about 20 minutes (and a little learning). Even if you never use Avid it will give you 80% of the speed improvement of any other accessory. So, look up an Avid shortcut layout and redefine your keyboard in Premiere, FCP, Resolve, or whatever… to the Avid layout and learn it. This is still an issue with Premiere and FCP (though to a lesser extent now). However, when I redefined the shortcut key layout to the Avid one FCP7 suddenly became much faster to work with. On the other hand, common things (like making an edit…) required multiple keystrokes or were hidden away completely. Tools you never use were right under your fingers on the keyboard taking up expensive real estate. It was designed to be mnemonic not ergonomic. When FCP7 became popular I started getting FCP only jobs, and for ages I used the stock key layout and it drove me nuts. It’s slightly modified to my taste, but it’s very close. Remap the edit software shortcut keys to the standard Avid layout If you want to speed up your editing and make your life easier on a QWERTY keyboard: Jog/shuttle controllers are more about ergonomics. A standard keyboard with a good shortcut layout is pretty decent. That said, for all of that, shortcut keys are the easiest way to speed up your editing. There is something about the jog and shuttle control on the old analog systems that gives you a better feeling of control over the images. I’ve tried most tools out there from taping bits of film together, through 3/4“ tape, to countless bits of software. Nothing is perfect - and there are still issues - but using Avid with these controllers is as good as anything I’ve found so far. I’m always looking for a tool that is a joy to use, or refining the tool to make working with it more fun. This is particularly noticeable if you care about frame accurate editing. Keys are faster, so I want the quickest, most comfortable way to hit the keys I use the most.Ī jog/shuttle style controller is often faster and more accurate on a timeline than a mouse. That requires lots of keys, or digging through menus with a mouse. Modern editing software has a lot of ways to move images around.
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